followedfr:

La campagne a donc vraiment commencé sur le web et la plupart des candidats ont créé leur propre site de campagne. Marine Le Pen ne déroge pas à la règle et a lancé il y a quelques semaines le site marinelepen2012.fr. On peut y trouver, entre autres, une biographie de la candidate, ses…

or where a TinEye search could have saved the day! For our French fans!

Research scientist catches copyright infringer. Copyright infringer throws tantrum and hilarity ensues.

Research scientist catches copyright infringer. Copyright infringer throws tantrum and hilarity ensues.

photojojo:

We’ll miss you, Steve.

Charis Tsevis created mosaic portraits of Steve Jobs using many images of the Apple CEO’s innovations.

Mosaic Portraits of Steve Jobs

via Good

msjerz:

Oscar Grant.
bremser:
Oscar Grant’s photograph of Johannes Mehserle
Oscar Grant’s photograph of transit police officer Johannes Mehserle is rare: a portrait of the photographer’s killer. Unlike the recent photograph that a politician captured in the Philippines, Grant’s photograph, taken moments before Mehserle shot him in the back, was intentional.
Much of the media attention given to the Oscar Grant case focused on a handful of videos made by other passengers on the BART train, some of which show Grant being shot. While being detained by BART police, Grant called his ex-girlfriend Sophina Mesa twice from the platform. During this time he also took the photo of Mehserle and sent it to Mesa. Grant’s photograph of Mehserle did not get as much coverage as the videos, as it wasn’t released until the trial began.
Grant’s photograph raises an important issue that faces every American: the right to photograph, videotape and document while being detained or arrested by the police. Many of us assume we have this right, but with existing wiretapping laws, you can still be arrested and your camera confiscated. Radley Balko’s Reason.com article “The War on Cameras” is essential reading on this subject.
Demian Bulwa is a reporter and editor for the San Francisco Chronicle, who has covered the Oscar Grant case since the shooting, through the entire Mehserle trial. I asked him a few questions over the phone about this photograph.
How did the prosecution and defense use this photograph as evidence in the trial?
Both sides used flat screen TVs, multimedia, everything was timed and choreographed. It seemed they felt they might lose credibility if they weren’t sharp with multimedia. At times the arguments felt like PowerPoint presentations. There were photos, quotes, videos, video of the Taser training.
It was used by prosecution to show two things: 1. that he [Mehserle] knew his Taser from his gun, that he had actually taken out his Taser twice, that he knew full well between the two weapons. 2. That Oscar was being abused and was concerned about it.
It was one of many pieces of evidence. It’s part of the puzzle, and hard to tell which ones stuck with the jury.
What facts were presented about the photograph, when it was taken? Did he take it while face down, turning around?
Grant was sitting on the ground. The guys were sitting on the edge of the platform for a while. He wouldn’t have had the opportunity in the last moments, the officers were on top of him, with his arms behind him.
Was there any suggestion by either side that taking this photograph provoked Mehserle, or was some form of resisting arrest?
I don’t recall.
Based on the evidence in the trial, and your own speculation, why do you think Oscar Grant took this photograph?
Most likely he was documenting unfair treatment. He said something to his girlfriend [during the phone call], like “I’m getting beat up here.” It was a way of documenting that, and putting Mehserle on notice. If you take a picture of someone you are saying: I’m watching your behavior. You’re accountable. You are expressing your concern and putting them on notice.

msjerz:

Oscar Grant.

bremser:

Oscar Grant’s photograph of Johannes Mehserle

Oscar Grant’s photograph of transit police officer Johannes Mehserle is rare: a portrait of the photographer’s killer. Unlike the recent photograph that a politician captured in the Philippines, Grant’s photograph, taken moments before Mehserle shot him in the back, was intentional.

Much of the media attention given to the Oscar Grant case focused on a handful of videos made by other passengers on the BART train, some of which show Grant being shot. While being detained by BART police, Grant called his ex-girlfriend Sophina Mesa twice from the platform. During this time he also took the photo of Mehserle and sent it to Mesa. Grant’s photograph of Mehserle did not get as much coverage as the videos, as it wasn’t released until the trial began.

Grant’s photograph raises an important issue that faces every American: the right to photograph, videotape and document while being detained or arrested by the police. Many of us assume we have this right, but with existing wiretapping laws, you can still be arrested and your camera confiscated. Radley Balko’s Reason.com article “The War on Cameras” is essential reading on this subject.

Demian Bulwa is a reporter and editor for the San Francisco Chronicle, who has covered the Oscar Grant case since the shooting, through the entire Mehserle trial. I asked him a few questions over the phone about this photograph.

How did the prosecution and defense use this photograph as evidence in the trial?

Both sides used flat screen TVs, multimedia, everything was timed and choreographed. It seemed they felt they might lose credibility if they weren’t sharp with multimedia. At times the arguments felt like PowerPoint presentations. There were photos, quotes, videos, video of the Taser training.

It was used by prosecution to show two things: 1. that he [Mehserle] knew his Taser from his gun, that he had actually taken out his Taser twice, that he knew full well between the two weapons. 2. That Oscar was being abused and was concerned about it.

It was one of many pieces of evidence. It’s part of the puzzle, and hard to tell which ones stuck with the jury.

What facts were presented about the photograph, when it was taken? Did he take it while face down, turning around?

Grant was sitting on the ground. The guys were sitting on the edge of the platform for a while. He wouldn’t have had the opportunity in the last moments, the officers were on top of him, with his arms behind him.

Was there any suggestion by either side that taking this photograph provoked Mehserle, or was some form of resisting arrest?

I don’t recall.

Based on the evidence in the trial, and your own speculation, why do you think Oscar Grant took this photograph?

Most likely he was documenting unfair treatment. He said something to his girlfriend [during the phone call], like “I’m getting beat up here.” It was a way of documenting that, and putting Mehserle on notice. If you take a picture of someone you are saying: I’m watching your behavior. You’re accountable. You are expressing your concern and putting them on notice.

(via oaklandlite)

Freaking awesome! Can I please have it?
andredepape:

Brilliant Trinity Bellwoods grid-map by James McDonough
A friend and I were sick of using lengthy, useless descriptions to find each other in the park (and then calling your friend and looking around like an idiot). So I made a Battleship-style grid for us all to work from. It looks great on my iPhone screen, so I think it will be useful. So instead of “I’m near that big tree, south of the bushes. It’s kind of near the baseball diamond. No, the smaller Baseball Diamond. Where are you?” - you just say “I’m in D8. Seeya.”

Freaking awesome! Can I please have it?

andredepape:

Brilliant Trinity Bellwoods grid-map by James McDonough

A friend and I were sick of using lengthy, useless descriptions to find each other in the park (and then calling your friend and looking around like an idiot). So I made a Battleship-style grid for us all to work from. It looks great on my iPhone screen, so I think it will be useful. So instead of “I’m near that big tree, south of the bushes. It’s kind of near the baseball diamond. No, the smaller Baseball Diamond. Where are you?” - you just say “I’m in D8. Seeya.”
OMG I would love such a beer fridge in the TinEye HQ!
brewnoob:

Unless you’re studying to become I brewmaster, I can’t see how a fridge full of beers could help.  Then again, to celebrate completing a test, it couldn’t hurt either…
via CobraBrah on Dailybooth:

Yup, all set for exam week.

OMG I would love such a beer fridge in the TinEye HQ!

brewnoob:

Unless you’re studying to become I brewmaster, I can’t see how a fridge full of beers could help.  Then again, to celebrate completing a test, it couldn’t hurt either…

via CobraBrah on Dailybooth:

Yup, all set for exam week.

Garbage in, garbage out.

nosql:

Big Data and Data Mining: Garbage In, Garbage Out

From an article touting the value of data mining in the era of BigData:

Whatever data mining tool you use for creating sales leads, remember that the tool is only as good as the data in it.

The old principle of garbage in, garbage out applies to both small and big data. But with the advent of BigData, tools are not yet on par with the needs.

Original title and link: Big Data and Data Mining: Garbage In, Garbage Out (NoSQL databases © myNoSQL)

Zazie our TinEye HQ dog loves summer. Summer has finally arrived in Toronto. This is last year’s photograph but I am sure as soon as the Popsicles are out, this dog will be extending its paw!

Zazie our TinEye HQ dog loves summer. Summer has finally arrived in Toronto. This is last year’s photograph but I am sure as soon as the Popsicles are out, this dog will be extending its paw!